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Strings

by Rachel Zylstra

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1.
What would you do if you knew how much she feels for you? I think you'd fall right off your chair See how her casual smile disguises all the while How much she's hoped to see you there She'll say your name over and over To feel the shapes the sounds make in her mouth Would it be so bad - this token of her devotion Or is she bound for the loony house What would you do if you knew how much she feels for you? I think you'd fall right out of space See how her casual wave disguises what extent She's learned to read the expressions on your face If she could change your life in some small way - she doesn't know how Oh you know it'd give her such a thrill And she plans what she wears in a vain attempt to capture you When she hears you'll be headed to someplace she's headed to Don't let her stress you out; don't let her be a pain She's only this persistent in her own mind She'll keep her thoughts inside until you make your move 'Cause never would be better than a shed disguise She won't be made the fool Though she's long been one for you
2.
Oust 04:26
I took your book out of the library to see if I could get closer to you again just by reading words that you wrote. I read one page plus ten before my mind collapsed under the weight of your thoughts, and the walls closed in then. I had to start promising myself that I would leave my room on my days off. I defer to the streets with headphones on, Kid A accenting my walk. It's crowded at noon, empty at four in the morning. The rhythm of the city ousts me in and out of motion. I've stopped asking why you move me, why my mind sits and idles on your memory – it's my thinking food here. Oh great, I’ve lost my gait and now I can't get past these people. Oh shoot, got a long way to go, long way before making it home. You, my edge, inspiration, you as a haven – I've got to let this thoughts go. I've been making decisions based on a gaping God-notwithstanding plot hole. I've stopped asking why you move me, why my mind sits and idles on your memory, but these thoughts don't satisfy. I've got to take my mind off, got to take my mind off this… So last night, I got lost up on Madison. I walked west, and breathed deeply, and fell off into a sanctuary. Oh, why this burst of leafy green, amid these concrete grids – why not? What else to keep us sane, to keep us close to peace? And if we wait for me to make sense of these mumbled jumblings out my mouth, we’ll be here till I’ve turned inside out. Do you remember when I was your neighbor and my feet would pull me past your porch in just two minutes’ time? There were no restaurants or stoplights along the way – just a whole world of circumstances separating us for another day. And it will remain this way: I’ll stomp on these sidewalks in a city 700 miles east; you’ll keep tending to your life in clean Midwestern grief and bliss. There is a peace to this. I put your book back in the library to show that I could see something past you through my so-called healthy adult-like will. I wish I could say it was all my doing, all of my forced detachment – but miles of distances and a gracious hand have really dealt it.
3.
Stuck 04:22
Baby you’ve got me on your mind Baby you’ve got me on your mind Forgive me if I don’t properly surmise Baby you’ve got me on your mind Why is it such a hard thing to admit You’re stuck on something you claim you don’t want yet Baby you’ve got me on your mind Baby you’ve got me on your mind I see your strain from time to time Baby you’ve got me on your mind Why is it such a hard thing to admit You’re stuck on something you claim you don’t want yet Sometimes I wish you could just lighten up And stop pretending that you don’t know how to love Why is it such a hard thing to admit You’re stuck on something you claim you don’t want yet Sometimes I wish I could just be all done And quit pretending there’s a chance that we belong Baby you’ve got me on your mind Draw the drapes and call the time Baby you’ve got me on your mind Baby you’ve got me on your mind Baby you’ve got me on your mind Make me yours or leave me mine Baby you’ve got me on your mind
4.
Neah Bay 03:35
It’s raining on my face It’s raining in my hair Oh didn’t you hear the forecast, it’s to be raining everywhere My fingers are soaked and cold My neck is cold and wet Oh let me go inside to be dry, warm my fingers and my hands I took my shawl, that’s all You took a light spring jacket A lot of good these did us when the thunder clouds rolled in We were gonna go on a boat Would have gotten wet anyway Gone off to explore the high tide off the shores of Neah Bay I don’t know how it feels Seeing these neat little rows Rows of aluminum -sided houses each with newly built car ports Compared to what once was lived in Log structures on the ocean Would I be seeing logs or car ports if my kind had not rolled in I think I smell smoked fish I think I smell a tourist We’re pressing near that smoke shack where the New York Times guy said the salmon is best How do I know? Because the smoker Taped up the clipping from the Times Next to his rack of poles and knives at a smoke shack in Neah Bay It’s tickling at my ears It’s pointing to the dark The salty breeze that carries with it sounds I can’t explain Perhaps it would make sense If voices lived in whitecaps Perhaps it would make sense that I hear stories in the wind My brother says he hears them from time to time Could they be lying? Could they be only in our minds And sure we’ll leave here more confused than when we came in yesterday Who am I to say I have an answer for the world of Neah Bay
5.
Shannon 03:09
The road bends; the sun sets The dark falls on the broken line You see your reflection in The rear-view mirror as we run behind You’ve gone away; you try to breathe The breath won’t come; the day is done You lost your sight that you can’t see The stranger you have come to be Sister calls; your parents plead Your brother says, “Anything you need” The people here who love you most You’ve left behind for a golden ghost We ask about your newfound song Oh the tune we know, but the rhythm is wrong We ask ourselves why we regret The pretend calm words that you haven’t heard yet The cat yawns; the dogs fight The stars rise and we’re still uptight The last we heard, your cryptic call And now I fear any news at all And as we wait, I ponder you You the heart-filled girl with her dreams to do And who am I to doubt your mind To rehearse your apologies, and relinquish mine Now you’re here, you’re back at home You might be sad, and you feel alone You want to run, to go, you want to do But you’re paralyzed by what you’ve been through I want to know the weight of your load Why is the journey back such a long, long road I wish for you to be broken down Hear the angels sing as your peace is found
6.
Place Time 03:58
You there, standing In your northerly attire It looks cold there And you’re smiling like a lover You’re a fool for the land Born and bred in Michigan Sacred Detroit Built on private transportation Vies with lakeshore for your tenuous affection Does a person have a chance Against monuments and endless sand How you ache to go on Like your cities and your songs It will always be there It will always change You’re not missing out on any living thing You’ve dropped crumbs for every moment documented Parties, house calls You thought photos could cement them But the birds have come at night Making dinner of your life How you wish to go back To the shelter of your past It will always be there It will never change You’re not missing out on any breathing thing Do you have room in your intent Room for one without inventions Room for one made from dust, as fragile as you And as lost Now it pains you to commute from a new region Dear Ann Arbor took your heart in every season Now each time you return How it breaks again for her How you wish to go back To the shelter of your past How you wish to go on Like your cities and your songs How you itch to go back But the calendar’s a rat How you ache to go on But your love will not prolong you How you ache to go on But your love will not prolong you But your love will not prolong you But your love will not prolong you But this love will not prolong you
7.
I finally can’t escape the writing on the wall Around about this afternoon I knew I’d lost the ball I finally can’t escape the fact I haven’t showered Or changed my clothes since yesterday morning at eight Been lying here stuffed and pruned of the sparkle I thought I had I am lusterless and ruined – oh poor me, why don’t I eat my pity, too And what am I to do with all the endlessness I feed Point me to the thing that makes me full I finally can’t escape the fact I am a coward I’ll ingest another layer to shield me from the blow Of being indistinct, of being not enough To merit the intentions of someone I could love Been lying here dulled and dumbed by mindless and anxious consumptions Dull me to the world, dull me to the words I think I remember you saying That I wish I’d dreamt Been lying here stuffed and pruned of the sparkle I thought I had I am lusterless and ruined – oh poor me, why don’t I eat my pity, too Oh take your hands and hold them at your sides Stop your quivering, stop your whining, you giant little mouse You’ve got the chance to make it up again as you go along Keep writing, keep listening, keep living, keep moving on (I finally can’t escape the writing on the wall Around about this afternoon I knew I’d lost the ball I finally can’t escape the fact I am a coward Point me to the thing that makes me full) I finally can’t escape the writing on the wall Around about this afternoon I knew I’d lost the ball And what am I to do with all the endlessness I feed Point me to the thing that makes me full

credits

released April 24, 2012

Music & lyrics by Rachel Zylstra
Strings arrangements by Matt Gelfer

Rachel Zylstra: piano and vocal
Matt Gelfer: violin, guitar, backing vocals
Greg Williams: viola
Paul Wolfram: cello

Engineered and mixed by Justin Milner
Mastered by Alan Douches

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Rachel Zylstra New York, New York

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